Monthly Archives: April 2012

– Eisenstein’s theory of montage revisited

– How Soviet montage theory was appropriated by capitalism

– Google Babylon



Picasso, in his painting, reacted to Guernica by sharpening the emotional impact of his figures with expressionist distortion. My approach has been to orchestrate data, so people will — at best — both understand and be outraged. Øvind Fahlstrøm